Babyland
ABC - August 22, 2008

The New York Daily News
"The word "crisis" may arguably be overused in America these days. It's hard to look at the footage of Babyland and say it doesn't apply here."

Miami Herald
"Watching city workers lower miniature coffins into the parched earth of Babyland, it's hard to argue with reporter Elizabeth Vargas' terse verdict: ``Too many babies are dying.''"

Memphis Commercial Appeal
"Along with creating greater awareness of a social problem, [executive producer Tom Yellin] said he hopes the program will show viewers they don't need to travel overseas to find opportunities to change lives."





There are places in America where the unthinkable is happening -- too many babies are dying. In most cities, black babies are dying at three times the rate of white babies. That’s what’s happening in Memphis, Tennessee, the city with the nation’s highest rate of infant mortality. A baby dies there on average every 43 hours. But many people are working to change that startling statistic.

Elizabeth Vargas travels to Memphis to report on what is being done there, and to see what the rest of the country can learn. She introduces us to young mothers and mothers-to-be who live in what can often seem to be a foreign country right here at home. Vargas takes us to the potter’s field cemetery run by the county, nicknamed “Babyland,” where babies are laid to rest. In Memphis, Vargas asks, “What does it mean that we are losing so many black babies before their first birthday?”

The broadcast follows an unusual relationship between a black teenage mother-to-be and a white volunteer from a suburban church whose goal is to ensure that the baby is born healthy. The surprising bond between the inner city mother and her suburban mentor becomes the emotional center of the documentary. Their journey together through pregnancy and birth and the twists and turns that follow is an intense story that cuts through issues of race and class. The women learn about each other – and themselves.

Babyland from The Documentary Group.

"[Babyland] alludes to a bigger picture — of poverty, of race-based government indifference — that makes these personal crusades feel like lost causes. But the mere fact that someone is making them is wonderful to see."

The New York Times - Neil Genzlinger
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